Yet another fishy walkabout
Bear with me... i just love to see the hexagonal light bursts from this fisheye. Best of all, there is no flaring even when pointing at the sun!Tuesday, July 29, 2008
Bear with me... i just love to see the hexagonal light bursts from this fisheye. Best of all, there is no flaring even when pointing at the sun!
Thursday, July 24, 2008
Warp my world
5 exp handheld HDRIn case you haven't notice... the above image is way wilder than usual. What happened? Make a lucky guess =D
Hmm... isn't that hard to guess eh? I gave in and bought myself yet another lens - the Tokina 10-17 FE. It's a fisheye zoom... first of its kind for DX sized sensors, and can be used on FX from 15mm onwards. (talk about future proofing)INTRO TO FISHEYE
This lens is a SPECIALITY lens. Which means it is only useful in a few situations. Used too often, viewers will develop vertigo, and it might just turn them off. But when used the right way, it is able to get you ASS-KICKING perspectives no other lenses can.
Fisheyes have geometric instead of volumetric distortions. That is to say, objects retain the same area in the picture no matter where it is placed. Rectilinear lenses, say the 12-24, have volumetric distortions, stretching objects placed at the edges, making faces and bodies look wider than they are supposed to be. However, fisheyes curve any lines that doesn't pass through the center, so there are subjects that you shouldn't shoot with a fisheye under normal circumstances (ie buildings/landscapes).
COMPOSING WITH FISHEYES
What i love about this particular lens is the wide-ness. It's sick. You get the full 180 degrees FOV, meaning that EVERYTHING in front of you will be in the picture. That includes part of your feet or maybe your shoulder, but more commonly, your shadow. The widest rectilinear lens at the moment is the sigma 12-24, but that is only about 120 deg FOV. Imagine how much wider this is! The extreme wideness and unique distortion means I have to learn to compose in a very different way.
To get use to this new persective, I stuck the camera to my eye as i walked around the park. With the distortion, I have the ability to "bend" objects, warping them to aid my composition. This also means that how I frame my picture will be more important than before. You can't simply crop the image in post.HANDLING & BUILT
The 10-17 is a very compact and light lens. Despite its solid metallic body, it only weighs 350g. (the 12-24 weights 750g). It is only slightly larger than a 50mm prime, making it an ideal walkabout UWA, provided you can accept the loss of corner detail when pictures are de-fished.
PERFORMANCE
Wide open, this lens is not very sharp. Purple fringing is evident, even after the Expeed processing. But stopped down to f8 and sharpness is much more acceptable, although still not as sharp as any other lens I own.
Edit: I made a serious mistake on leaving AF Fine Tune ON. (Apparently D300 doesn't allow fine tuning of different 3rd party lenses) With it off, I get much better results. This lens is surprisingly sharp all the way to the edges from f5.6 and above!
It is surprisingly resilient to flare though, and the 6 aperture blades give me very nice sunbursts. This is important as the lens is so wide you almost always get the sun in your picture.
Matrix metering will go wild outdoors, due to the super high contrast of the scene. Use center weighted, manual, or if possible, HDR like what i've did. (it helps if you can rattle off at 8fps hehe)
IN CONCLUSION this is a very unique yet versatile lens. Lightweight and compact, I believe it will be with me for the non-important social gatherings, or walkabouts more often than the 12-24.
Sunday, July 13, 2008
Le Grand Finale
Behold the bringer of light - We stared in awe as the sun blazed through the cool morning air, waving us goodbye with a spectacular lightshow. What a way to end off this beautiful trip!
More details after the break...
With less than 7 hours of sleep in 2 consecutive days, I was severely reluctant to catch the sunrise (especially when yesterday's was a disappointingly wet one). As my alarm rang, I peeked at the still-dark sky to check visibility. Hmm... not bad. Stars still visible. Called out to my friends (hardly expecting any of them to respond), I dragged my waterlogged tripod and gear down to the beach again.
I was first treated to an eerily beautiful moonrise, which I mistook for an eclipsed sun. Wth happened to our sun today? I was really perplexed for a moment. Thanks to Junzhan for clarifying that it's the moon we are seeing. Ok... i'm blur.
Minutes later, the lightshow began. The horizon glowed the "tekong glow", a wonderful gradient of yellow to blue, and i was fully awake now. There was a field of altocumulus clouds in the distance that would really bloom when the sun comes out. I began to panic as i did not have a proper composition in mind yet - I wasn't prepared to shoot with the sea at high tide.
After rattling off a few mediocre "smooth-water" frames, I was frustrated.. something was missing in my pics. There was no action... no movement. Not the best way to present the grand sunrise imminent.
I clambered over hard and slippery rocks in search for nice waveforms, and spotted this cool rockpool where the water would swirl around before retreating. Setup my stuff just in time to catch the first rays of light clipping at the clouds.
Here's a snapshot taken by my newly made friend Simin, shooting conveniently from the balcony of the resort bar. That's me in the back swapping lenses.
The sun made its entrance as a pink round blob, rising rapidly from the horizon. There was simply no time to wait for a big wave. The scene's contrast is very high as well. Switching to CH i bracketed multiple series hoping to get a few right. No time to think now.
The best pictures were shot with 2 GND8 filters stacked (6 stops total difference). The bigger waves came in soon enough, and they were useful in portraying the life and energy in the scene. As the camera continued filling up a whole 2 GB card, I stood to take in the breathtaking send-off vista.
Adios Redang!
More details after the break...
With less than 7 hours of sleep in 2 consecutive days, I was severely reluctant to catch the sunrise (especially when yesterday's was a disappointingly wet one). As my alarm rang, I peeked at the still-dark sky to check visibility. Hmm... not bad. Stars still visible. Called out to my friends (hardly expecting any of them to respond), I dragged my waterlogged tripod and gear down to the beach again.
I was first treated to an eerily beautiful moonrise, which I mistook for an eclipsed sun. Wth happened to our sun today? I was really perplexed for a moment. Thanks to Junzhan for clarifying that it's the moon we are seeing. Ok... i'm blur.
Minutes later, the lightshow began. The horizon glowed the "tekong glow", a wonderful gradient of yellow to blue, and i was fully awake now. There was a field of altocumulus clouds in the distance that would really bloom when the sun comes out. I began to panic as i did not have a proper composition in mind yet - I wasn't prepared to shoot with the sea at high tide.
After rattling off a few mediocre "smooth-water" frames, I was frustrated.. something was missing in my pics. There was no action... no movement. Not the best way to present the grand sunrise imminent.
I clambered over hard and slippery rocks in search for nice waveforms, and spotted this cool rockpool where the water would swirl around before retreating. Setup my stuff just in time to catch the first rays of light clipping at the clouds.Here's a snapshot taken by my newly made friend Simin, shooting conveniently from the balcony of the resort bar. That's me in the back swapping lenses.
The sun made its entrance as a pink round blob, rising rapidly from the horizon. There was simply no time to wait for a big wave. The scene's contrast is very high as well. Switching to CH i bracketed multiple series hoping to get a few right. No time to think now.
The best pictures were shot with 2 GND8 filters stacked (6 stops total difference). The bigger waves came in soon enough, and they were useful in portraying the life and energy in the scene. As the camera continued filling up a whole 2 GB card, I stood to take in the breathtaking send-off vista.
Adios Redang!
Wednesday, July 09, 2008
银河梦
Yet another "night star" pic from Redang. No, I don't have as many variations as Mozart did for his "twinkle twinkle little star" melody. This is probably the last of the series.
I blew some condensation onto the front element 40 seconds into the exposure. Not very obvious here, but it did create a soft glow around the bright stars, perfectly reflecting the dreamy mood i was in as the picture was taken.
Monday, July 07, 2008
别有洞天
62sec exposure, f/4 at iso1600Hmm... probably a different composition than the usual star skies?
Sunday, July 06, 2008
The world is a miraculous place
122s exposure, f/4, iso800Stars above, darkess all round. At the edge of the cliff I sat, alone, feeling as one with mother nature. Holding the shutter open, I let my camera do its magic, the magic of describing this beautiful experience with a thousand words, or in this case, with one solid picture.
Accidental Beauty
No PP done. Just resized and posted as taken.All thanks to the cool morning shower we were forced to sleep a little more. We gave the marine-park snorkel a miss too, which is probably a good thing since we've not have enough sleep ever since the trip began.
The air was damp when as we strolled towards the "More more tea inn", and condensation graced my lens elements, creating perfect tonality depicting the morning blues... it's an accidental yet wonderful effect. Picture taken with the AIS nikkor 80-200 f/4
Oh fyi, snapshots from Redang have been uploaded on my multiply site. More to come =)
The air was damp when as we strolled towards the "More more tea inn", and condensation graced my lens elements, creating perfect tonality depicting the morning blues... it's an accidental yet wonderful effect. Picture taken with the AIS nikkor 80-200 f/4
Oh fyi, snapshots from Redang have been uploaded on my multiply site. More to come =)
Friday, July 04, 2008
How many more times can I feel so happy?
Group photo shot with off camera flash to the left at 1/2 powerThis is one hell of a trip. Well planned, well executed, great company. Coupled with crystal clear water, white sands and beautiful weather, this is the poor man's Maldives. I'll have quite a few more pictures from Redang to be posted in the days to come. Stay tuned.
Thursday, July 03, 2008
Nikon's latest releases - d700 & sb900
I'm back from my Redang trip, and have quite a lot of NEFs to convert (including those from last week's portrait shoot. But the first post since returning will not have a single picture. Being gear headed as I am, the first thing i did when i returned was to visit dpreview for any latest Nikon releases... and lo and behold, here's the D700 and SB900 - as rumoured. More after the break.
D700 - This is Nikon's cheaper FX camera, with hardly any compromises. For those dreaming of FX on a d80 or lesser body... dream on. You can't meter with legacy lenses with those bodies, and only with legacy lenses will Nikon users have a chance at Canon's wide range of primes.
NO, you won't see a D700 in my hands anytime soon
People debating between D700 and D300 is basically choosing between FX and DX. Both have the same speed, almost same body, sharing same accessories. For me, I have 2 DX lenses at the moment, and if they were to be upgraded to their FX equivalents, I have to fork out another 5k (lens alone) I'm going to be a uni student soon, and that means no income + high expense. Nope, i don't have 5k to burn at the moment. But I will definitely think thrice before anymore DX lens purchases.
FX tempts me for it's much better bokeh and high ISO performance, as well as UWA lenses. My next DSLR might be an FX one, but I'll definitely want to keep a DX body for its reach. I don't see myself owning the 300mm f2.8 anytime soon.
SB900 - This is a tempting product. Very. From specs alone, there isn't any difference compared to SB800. SB800 is as good as a flash can get, specs wise. What really got me is the ergonomics. This is exactly what is wrong with the SB800.
D700 - This is Nikon's cheaper FX camera, with hardly any compromises. For those dreaming of FX on a d80 or lesser body... dream on. You can't meter with legacy lenses with those bodies, and only with legacy lenses will Nikon users have a chance at Canon's wide range of primes.
NO, you won't see a D700 in my hands anytime soon
People debating between D700 and D300 is basically choosing between FX and DX. Both have the same speed, almost same body, sharing same accessories. For me, I have 2 DX lenses at the moment, and if they were to be upgraded to their FX equivalents, I have to fork out another 5k (lens alone) I'm going to be a uni student soon, and that means no income + high expense. Nope, i don't have 5k to burn at the moment. But I will definitely think thrice before anymore DX lens purchases.
FX tempts me for it's much better bokeh and high ISO performance, as well as UWA lenses. My next DSLR might be an FX one, but I'll definitely want to keep a DX body for its reach. I don't see myself owning the 300mm f2.8 anytime soon.
SB900 - This is a tempting product. Very. From specs alone, there isn't any difference compared to SB800. SB800 is as good as a flash can get, specs wise. What really got me is the ergonomics. This is exactly what is wrong with the SB800.
- I have to hold down the on/off button for a sec before i can turn it off. SLOW. And sometimes it doesn't respond, as the buttons are hard to press with fat fingers, or when u are wearing gloves.
- I need an average of 4 secs to switch between CLS and normal modes, and that includes mashing the buttons like siao. I will hesitate even when i know a scene will look better with off hand light, because i don't know if i can get it back on fast enough should something else happens.
- I cannot turn the head right for more than 90 deg. Which means i can't bounce over my shoulder if i hold my cam in the vertical position. This is a severe limitation for indoor shooters.
The SB900 solves all these! It's a major ergonomic improvement. So YES, I will get an SB900, but not so soon. I will get it the moment the price drops to about 600 new. The SB800 will be slaved when that moment arrives.
Friday, June 20, 2008
Oh you filthy beach
It is a sad situation... a sacrifice for being a shipping hub. Singapore's beaches just cannot make it.
Monday, June 16, 2008
Monday, June 02, 2008
Written in the stars
2 nights on Pulau Tioman gave me some chance to experiment light painting. With the sky full of stars, I used a torchlight to "paint" the coconut trees to add in some foreground details.
Do note that working on an uncalibrated monitor, it is possible that some of you might not see as much details in the sky. There are many faint little stars and milky ways visible on the original pic.
Do note that working on an uncalibrated monitor, it is possible that some of you might not see as much details in the sky. There are many faint little stars and milky ways visible on the original pic.
Sunday, May 25, 2008
Amidst the Cannonball trees
In my bid to secure new perspectives within West Coast Park, I ended up feeding mozzies while this picture was taken. I find that i'm still weak at composing those messy subjects into neat images. Hmm...Friday, May 16, 2008
Missing my sec sch days
We had the largest track, the biggest pool, the best view, the strongest winds... those were the days
Pandan reservoir is my favourite haunt when the weather gets real hot. I'll cycle around the 6.5km track just to feel the wind in my hair, and relive the days when I had to run the gravel path just to complete my 2.4km during sec school.
RV at that time is THE value for money school. It's near my place, and I don't have to pay maintenance for a huge track (the reservoir), nor a swimming pool (pandan public pool). And yet we do use these venues for PE. Our standard of education is not that far from what is provided in independent schools, and yet our fees are govt subsidized. Shiok.
Image above is a panaromic HDR. It almost killed my com, merging 10 x 12 mpx exposures into 1 huge 20+ mpx 32bit tiff. And I only have 512mb of RAM. Jeez.
RV at that time is THE value for money school. It's near my place, and I don't have to pay maintenance for a huge track (the reservoir), nor a swimming pool (pandan public pool). And yet we do use these venues for PE. Our standard of education is not that far from what is provided in independent schools, and yet our fees are govt subsidized. Shiok.
Image above is a panaromic HDR. It almost killed my com, merging 10 x 12 mpx exposures into 1 huge 20+ mpx 32bit tiff. And I only have 512mb of RAM. Jeez.
Sunday, May 11, 2008
ThinkTank Change-Up - First Impressions
A new lens changes one's shooting perspectives, but a new bag will change one's shooting experience. Read on to find out about my first impressions of the Change-Up after 2 days of assignments.
On Saturday, I wore the full load (80-200 f2.8, 12-24, 17-50, SB800, D300 + grip, 8 extra AA batteries, umbrella and 1 full water bottle) All the way from 2pm to almost 7pm. I did not bother to take them off, even as I stood through all the MRT trips. At the end of the day, I could hardly feel any strain from the load. Full marks for carrying comfort. Impressive.
Throughout the event, I get to constantly switch lenses as and when I feel like it. It is just so natural. In the past, I have to #1 shrug my shoulder to allow my hand to reach into the bag, and #2 use 1 hand to hold the flap open, #3 keep still so the bag doesn't pendulum around. Doesn't sound difficult, but try it when ur bag weighs about 5 kilos. I usually choose to leave the bag on my seat, and return to it for lens changing. I chose to risk not getting the shot I want, in return for a less shoulder strain. It is also risky as someone might go steal your stuff.
Right now the whole process is just so natural I felt WEIRD to be changing lenses as I walk around. Full marks for accessibility. No doubt about that.
And when I had to suddenly rush in front to grab spontaneous shots from low angles, I just.. do it. In the past, I'll have to crash my whole bag onto the ground doing so. No doubt the bag is thickly padded, but is it really necessary?
But before I give full marks for agility, I do noted 1 problem. With the 2 chimp cages on the sides, it can take a while to get used to the added width of your body. I can barely get through MRT gantries, if I don't rotate the pack. Something I have to get used to, but a possible disadvantage when fighting through crowds. 9/10 for agility.
Finally, I shopped for an hour in Plaza Singapura after the assignment (something i don't think i'll be able to do in the past... too shag at the end of a shoot). Nope, I don't get weird looks. Perhaps people are used to flamboyant outfits on orchard road, but I doubt looks isn't as big a problem as I initially thought. It's worth adding that I wore it "reversed", other than in front as recommended on the site, so now it really looks like an SBO, rather than a fake belly. Heck. I see people carrying large guitar cases, and they seem proud of it. I should be proud of the new look too. It's probably because as photographers, we are naturally more observant than the rest, and in return become more self conscious.
Earlier in the day, as I strolled past a guy stopped in the middle of the path trying hard to stuff a lens back into his crumpler, I can't help but flash a smile at him. I was cleaning my tokina while walking towards the MRT station. Ha!
On Saturday, I wore the full load (80-200 f2.8, 12-24, 17-50, SB800, D300 + grip, 8 extra AA batteries, umbrella and 1 full water bottle) All the way from 2pm to almost 7pm. I did not bother to take them off, even as I stood through all the MRT trips. At the end of the day, I could hardly feel any strain from the load. Full marks for carrying comfort. Impressive.
Throughout the event, I get to constantly switch lenses as and when I feel like it. It is just so natural. In the past, I have to #1 shrug my shoulder to allow my hand to reach into the bag, and #2 use 1 hand to hold the flap open, #3 keep still so the bag doesn't pendulum around. Doesn't sound difficult, but try it when ur bag weighs about 5 kilos. I usually choose to leave the bag on my seat, and return to it for lens changing. I chose to risk not getting the shot I want, in return for a less shoulder strain. It is also risky as someone might go steal your stuff.
Right now the whole process is just so natural I felt WEIRD to be changing lenses as I walk around. Full marks for accessibility. No doubt about that.
And when I had to suddenly rush in front to grab spontaneous shots from low angles, I just.. do it. In the past, I'll have to crash my whole bag onto the ground doing so. No doubt the bag is thickly padded, but is it really necessary?
But before I give full marks for agility, I do noted 1 problem. With the 2 chimp cages on the sides, it can take a while to get used to the added width of your body. I can barely get through MRT gantries, if I don't rotate the pack. Something I have to get used to, but a possible disadvantage when fighting through crowds. 9/10 for agility.
Finally, I shopped for an hour in Plaza Singapura after the assignment (something i don't think i'll be able to do in the past... too shag at the end of a shoot). Nope, I don't get weird looks. Perhaps people are used to flamboyant outfits on orchard road, but I doubt looks isn't as big a problem as I initially thought. It's worth adding that I wore it "reversed", other than in front as recommended on the site, so now it really looks like an SBO, rather than a fake belly. Heck. I see people carrying large guitar cases, and they seem proud of it. I should be proud of the new look too. It's probably because as photographers, we are naturally more observant than the rest, and in return become more self conscious.
Earlier in the day, as I strolled past a guy stopped in the middle of the path trying hard to stuff a lens back into his crumpler, I can't help but flash a smile at him. I was cleaning my tokina while walking towards the MRT station. Ha!
Thursday, May 08, 2008
Walkabout #32 - NUS
Seriously, this photo doesn't deserve a place here... it's meaning less.
Just trying out my HDR technique... the composition could be better. Another day perhaps...
Just trying out my HDR technique... the composition could be better. Another day perhaps...
Saturday, May 03, 2008
Agility, Ergonomics, Protection and Image
After close to 3 years of using clones and inferior camera bags, my body is able to tahan no more. Despite being a manpacker, I've spent 100+ on sinsehs just to twist my spine back into position. I'm feeling the effects of poor ergonomics. Today I finally gave in and got myself the ultimate... the PRADA of camera bags. It's a brand I never thought i would buy. It's a thought I'd dismiss as insane a year ago. It's a ThinkTank bag!
Show me any established photographer, and I can show you his dirty closet of bags... tried, tested, and laid aside. Camera bags to photographers are like handbags to ladies... there is NEVER a perfect bag. It is always a balance of agility, capacity, speed, comfort and of course, your image (as in what people view of you)
I knew of this long before I bought myself a proper bag, and hence have always researched and researched before getting any bag. The bag must be useful, and would not go obselete. I'll never buy another shoulder bag after my Safrotto stealth reporter D400 clone, just like i'll never get another backpack after my Tamrac Adventure 7 clone. At least not in the near future. Bags don't hold their value... so you will have to leave them to rot once they lose their purpose.
There are many considerations when choosing a bag. And i've broken it down into 2 different phases, followed by priorities to be considered:
Travelling to location - Be it on the train, bus, bicycle or just plain walking down the street. Comfort being the most important, followed by gear protection. No way you want to feel tired before you get there, and no way you want to damage your gear before the shoot. Image is of great importance too... you dun want to look like a 可疑人物. Accessibility to gear is not really important here. Too accessible, and it could well be stolen.
On location - Accessibility to gear is the most important, followed closely by comfort. You have to be able to run and gun, and swap lenses in seconds. You cannot get tired too easily too... Protection is not so important since your gear is already in your hand. Image... it depends on what you are shooting, but people will first look at your camera then your bags.
See the problem? Despite the plethora of bags available on the market, none have been able to satisfy everyone. You simply can't have everything.
There are those who would go all out for image. They are almost everywhere. The richer ones would go and get brands like Billingham, Domke or Crumpler. These bags either make you look up-market, young and chic, or for Domke users, retro and pro. Problem is, these bags are usually ergonomic failures (at least for total load >4kg). I've seen people lugging Crumpler "sinking barge", an obtrusively enormous shoulder bag... and unless he has it all stuffed with newspaper, I wonder if he would have any shoulder left at the end of the shoot. But hey... the bag matches his flambouyant outfit, so at least he doesn't look nerdy/geeky when he goes out with his girlfriend(s). Maybe his gear is just there to shoot photos of himself.. who noes?
Domkes are canvas bags. They are not cheap too. People using it will probably claim that they've shot/developed film. They speak of "hey, i'm an old bird... dun play play hor..." I've never found any of their bags attractive, at least in terms of usablity. They may be softer and slightly more comfortable, but they don't distribute heavy loads well enough. Beware your spine.
For those who are not so well off (or think that money could be better spent elsewhere) they would either get clones, or lowepro bags. Lowepro offers a huge variety of bags, but they all have a common problem - too stuffed with padding. Even when your gear is out, your bag still occupies the same bulk, and you will tend to bang into people/stuff. I've knocked down glasses at a wedding before, and have also problems going through MRT gantries with their stealth reporter series. They are only great when it comes to backpacks... all the protection you'll ever need, at a reasonable price. For ergonomics... you'll have to look elsewhere.
And then there is this rare minority that are willing to sacrifice image for the ultimate in agility, accessibility and comfort. This is where Newswear, Kinesis and Thinktank bags comes in, the ultimate being Newswear. You know SBO? The tried and tested concept derived from wars, the SBO concept fully distributes loads around your body while providing unparalleled access to equipment. Journalists swear by them. Heck, you could go run SOC with your gear! The biggest drawback - Image. You simply don't belong in the civilian world. But to a real events photographer, that might just be the ONLY way to go.
A week ago, I finally found what I thought would be the best compromise. The ThinkTank Change Up. It is like the transformer of bags. It can be used as a SBO on location, a shoulder/back pack for travelling, or a belt pack for comfort. Offering near SBO accessiblity and agility, it also has adequate padding while being flexible, and when coupled with attachments, is able to contain all my gear. Last but not least, it does all these while maintaining a somewhat civilised appearance. It is the most adaptable bag i've seen so far, and hopefully, after putting it into use, is able to deliver. I don't want to buy anymore bags!
Disclaimer: I'm entitled to my own opinions. If you find that my stereotyping might have offended you, then kindly ignore this post
Show me any established photographer, and I can show you his dirty closet of bags... tried, tested, and laid aside. Camera bags to photographers are like handbags to ladies... there is NEVER a perfect bag. It is always a balance of agility, capacity, speed, comfort and of course, your image (as in what people view of you)
I knew of this long before I bought myself a proper bag, and hence have always researched and researched before getting any bag. The bag must be useful, and would not go obselete. I'll never buy another shoulder bag after my Safrotto stealth reporter D400 clone, just like i'll never get another backpack after my Tamrac Adventure 7 clone. At least not in the near future. Bags don't hold their value... so you will have to leave them to rot once they lose their purpose.
There are many considerations when choosing a bag. And i've broken it down into 2 different phases, followed by priorities to be considered:
Travelling to location - Be it on the train, bus, bicycle or just plain walking down the street. Comfort being the most important, followed by gear protection. No way you want to feel tired before you get there, and no way you want to damage your gear before the shoot. Image is of great importance too... you dun want to look like a 可疑人物. Accessibility to gear is not really important here. Too accessible, and it could well be stolen.
On location - Accessibility to gear is the most important, followed closely by comfort. You have to be able to run and gun, and swap lenses in seconds. You cannot get tired too easily too... Protection is not so important since your gear is already in your hand. Image... it depends on what you are shooting, but people will first look at your camera then your bags.
See the problem? Despite the plethora of bags available on the market, none have been able to satisfy everyone. You simply can't have everything.
There are those who would go all out for image. They are almost everywhere. The richer ones would go and get brands like Billingham, Domke or Crumpler. These bags either make you look up-market, young and chic, or for Domke users, retro and pro. Problem is, these bags are usually ergonomic failures (at least for total load >4kg). I've seen people lugging Crumpler "sinking barge", an obtrusively enormous shoulder bag... and unless he has it all stuffed with newspaper, I wonder if he would have any shoulder left at the end of the shoot. But hey... the bag matches his flambouyant outfit, so at least he doesn't look nerdy/geeky when he goes out with his girlfriend(s). Maybe his gear is just there to shoot photos of himself.. who noes?
Domkes are canvas bags. They are not cheap too. People using it will probably claim that they've shot/developed film. They speak of "hey, i'm an old bird... dun play play hor..." I've never found any of their bags attractive, at least in terms of usablity. They may be softer and slightly more comfortable, but they don't distribute heavy loads well enough. Beware your spine.
For those who are not so well off (or think that money could be better spent elsewhere) they would either get clones, or lowepro bags. Lowepro offers a huge variety of bags, but they all have a common problem - too stuffed with padding. Even when your gear is out, your bag still occupies the same bulk, and you will tend to bang into people/stuff. I've knocked down glasses at a wedding before, and have also problems going through MRT gantries with their stealth reporter series. They are only great when it comes to backpacks... all the protection you'll ever need, at a reasonable price. For ergonomics... you'll have to look elsewhere.
And then there is this rare minority that are willing to sacrifice image for the ultimate in agility, accessibility and comfort. This is where Newswear, Kinesis and Thinktank bags comes in, the ultimate being Newswear. You know SBO? The tried and tested concept derived from wars, the SBO concept fully distributes loads around your body while providing unparalleled access to equipment. Journalists swear by them. Heck, you could go run SOC with your gear! The biggest drawback - Image. You simply don't belong in the civilian world. But to a real events photographer, that might just be the ONLY way to go.
A week ago, I finally found what I thought would be the best compromise. The ThinkTank Change Up. It is like the transformer of bags. It can be used as a SBO on location, a shoulder/back pack for travelling, or a belt pack for comfort. Offering near SBO accessiblity and agility, it also has adequate padding while being flexible, and when coupled with attachments, is able to contain all my gear. Last but not least, it does all these while maintaining a somewhat civilised appearance. It is the most adaptable bag i've seen so far, and hopefully, after putting it into use, is able to deliver. I don't want to buy anymore bags!
Disclaimer: I'm entitled to my own opinions. If you find that my stereotyping might have offended you, then kindly ignore this post
Thursday, May 01, 2008
Blog changes
It has been a while since I last made changes to this blog. I noticed that there is a significant increase in readership recently, and have decided to implement some new stuff to make it a more interactive experience reading the blog. Click on for the list of changes.
Ratings system - I thought this would be a great way to get feedback from readers on which are the photos that you really liked. But if you rated it "poor", do sound out what went wrong, and how to improve it. Thanks.
Summary - Being very long winded, I thank you all for patiently scrolling your way through the posts. With the implementation of a "summary" system, I can keep the posts looking short, and you can read the rest of the crap when you have time.
Tagboard - Let's try this out once again. Hopefully there would be greater interaction this time round =)
Summary - Being very long winded, I thank you all for patiently scrolling your way through the posts. With the implementation of a "summary" system, I can keep the posts looking short, and you can read the rest of the crap when you have time.
Tagboard - Let's try this out once again. Hopefully there would be greater interaction this time round =)
Sunday, April 20, 2008
我和我自己的影子
Stamina and dedication is one aspect every aspiring photographer must have, and above all, passion as the force multiplier.
Night HDR. Something I've always wanted to do, and (after this shoot) to do more. Night is cooling, and there are many places that only shine when darkness falls.
Night HDR. Something I've always wanted to do, and (after this shoot) to do more. Night is cooling, and there are many places that only shine when darkness falls.
Wednesday, April 16, 2008
Great way to waste petrol
There's a very predictable pedestrian traffic light somewhere near my place. 3 seconds after one presses the button, the amber light will turn on for 3 seconds, and then the red. This observation led me to conceptualize this image - one that captures all 3 lights in 1 single exposure.Predictable as it is, I still required 4 activations of the traffic light to catch this image, as it isn't really as easy as it seems. First, I must set the intervalometer to start taking picture 5 seconds after I leave the camera. I'll have to push the button at the start of the exposure. Most difficult part is to time it such that there are enough cars passing the lights before the red comes on, so as to record some trail lights.
I guess the drivers stopping at the lights must be real pissed... seeing this idiot stopping the traffic just to shoot some lame picture. Sorry fellas!
Tuesday, April 15, 2008
It's all about being there
清明时节雨纷纷, this is particularly true for me this year. I yearned for a stunning sunrise, with the gleaming sun bursting through the morning mist, amidst the padi fields in a kampung setting. Just the thought of the picture is enough to keep me awake the night before... and the first sounds of rain prevented me from falling asleep thereafter. Althought it was reduced to a drizzle around 6am, I couldn't see any stars in the sky, and this can only mean 1 thing - Heavy cloud cover. Not the best day for a sunrise dude...
But I had only one chance... seeing that my cousins were already awake, we drove into the darkness, heading for any roadside padi-fields available (no chance to recce the day before). Arrived, deployed, and only after 2 exposures, we were hit by yet another wave of showers. Cold and hungry, I felt guilty for bringing my cousins outfield. And then... miracle happened.
A hole opened up in the sky, revealing pink fluffy clouds beyond. Stalks began flying in squadrons before me, intercepting perfectly with the opening. This is no opportunity to miss. If there had to be only one picture from this trip, it had to be made now. Shot as many as possible before my filter gets smeared with raindrops. It is hard to catch the birds in a graceful formation... their wings were hardly in sync. Toyed with the idea of cloning... but heck... this is nature... nothing is perfect.
Lesson learnt: Opportunity is random and hardly predictable. It's all about being ready... it's all about being there.
Sunday, April 13, 2008
Journey in search for the roots
2 days of driving brought me back to the place where my parents were born. A PAS controlled state for many years, Kelantan is one of the most under-developed states in Malaysia. Going there primarily for Qing Ming Jie festivities, I also took the rare opportunity to document the local people as well as their lifestyles.
There are many pictures that I love to share, but it would be hard to present it as a list on this blog. I've decided to embed a slideshow from google's picasa albums, but it is setup to run continuously by default. I'll strongly suggest you take time to read my captions, so pause the slideshow and advance manually. Alternatively, go straight to my web album to browse them in full view.
The album also compressed my pictures, reducing the vibrance while increasing JPEG artifacts, which is a pity as it does not do justice. Anyone has a better suggestion as to where to host the pictures?
Sunday, March 23, 2008
How long how long?
After about 4000 shots with my new toy, I begin to see subtle improvements to my pictures. They are mainly in event photography, where the speed and ISO performance really makes a difference. But even so, I've come to demand much better pictures than before, so much so that none of the pictures taken so far deserves a place on the blog. (ever since the bird nest pic)
I've decided to rant a little, and add a mediocre pic (trying out the panaromic crop) just to keep this blog alive. Also wanna update on what feature on the new camera has proven its worth.
1. Live view - Surprise surprise =) This is a very useful feature to have. It allows me to get pictures from wilder perspectives, perspectives that others have to rely on experience and trial and errors to get.
2. Auto area AF - This is another sick feature. Not because it isn't seen on other cameras (it has been there since the days of the d70), but because of the awesome coverage of the AF points, together with a dedicated switch to flick it on. Shooting from the hip? No problem. Run and gun? No kick. In a flash you are ready to tackle the situation.
3. Auto ISO - This is one hell of a feature. So powerful i wonder how i managed without it in the past. Together with the "flash off" button, it does wonders especially indoors. Set the base to ISO800 to retain background detail when using flash, and when you cancel the flash with "flash off", the iso automatically ramps up to attain proper exposure. I can take successive with/without flash shots instantaneously. Sick.
That said, I feel that I am still at the tip of the iceberg of features the D300 has to offer. I still make lots of stupid mistakes, like leaving ADlighting on, and switching shooting modes without checking ISO used. The above picture was shot at ISO800. What a waste.
I've decided to rant a little, and add a mediocre pic (trying out the panaromic crop) just to keep this blog alive. Also wanna update on what feature on the new camera has proven its worth.
1. Live view - Surprise surprise =) This is a very useful feature to have. It allows me to get pictures from wilder perspectives, perspectives that others have to rely on experience and trial and errors to get.
2. Auto area AF - This is another sick feature. Not because it isn't seen on other cameras (it has been there since the days of the d70), but because of the awesome coverage of the AF points, together with a dedicated switch to flick it on. Shooting from the hip? No problem. Run and gun? No kick. In a flash you are ready to tackle the situation.
3. Auto ISO - This is one hell of a feature. So powerful i wonder how i managed without it in the past. Together with the "flash off" button, it does wonders especially indoors. Set the base to ISO800 to retain background detail when using flash, and when you cancel the flash with "flash off", the iso automatically ramps up to attain proper exposure. I can take successive with/without flash shots instantaneously. Sick.
That said, I feel that I am still at the tip of the iceberg of features the D300 has to offer. I still make lots of stupid mistakes, like leaving ADlighting on, and switching shooting modes without checking ISO used. The above picture was shot at ISO800. What a waste.
Sunday, March 09, 2008
Mom, what's for breakfast today?
1/250th f11 ISO 800
AFD 80-200mm
Vivid
Had the luxury of covering a sunbird family's breakfast, as they conveniently built their nest on my neighbour's plant. Sunbirds always return to where they built their nest previously, and I was told by my neighbour that this is the third time this couple chose this spot. Even if they are forced to abandon a half built nest, they would reuse the materials collected.
I've been keeping an eye on their activity about a month ago, ever since they began construction. Both the male and female contributed to building the nest, and soon after completion the female lays her eggs. Only 2 eggs were laid. I suppose thats the maximum the nest could hold, and perhaps the max the female could produce as well.
12-14 days later, the eggs hatched and out pops the chicks. Both parents took turns feeding them. It is really heartwarming to see their co-operation =)
I've been keeping an eye on their activity about a month ago, ever since they began construction. Both the male and female contributed to building the nest, and soon after completion the female lays her eggs. Only 2 eggs were laid. I suppose thats the maximum the nest could hold, and perhaps the max the female could produce as well.
12-14 days later, the eggs hatched and out pops the chicks. Both parents took turns feeding them. It is really heartwarming to see their co-operation =)
Sunbirds are curious creatures, and quickly adapt to human environment, as well as human presence. After standing beside the nest for about an hour, they completely ignored my presence (so long as I don't move) I was able to get as close as 1.5m.
With 12mpx, I was able to discern what was fed to the chicks. This mornings menu was full of caterpillars and grasshoppers, different from yesterday's berries. I was also able to tell that little yellow feathers are beginning to grow on the chicks. What's most interesting is the materials used in the construction of the nest - feathers, twigs, tree barks and nylon strings.
Some tips I picked up:
With 12mpx, I was able to discern what was fed to the chicks. This mornings menu was full of caterpillars and grasshoppers, different from yesterday's berries. I was also able to tell that little yellow feathers are beginning to grow on the chicks. What's most interesting is the materials used in the construction of the nest - feathers, twigs, tree barks and nylon strings.
Some tips I picked up:
- Use a tripod. U will have to hold the setup in position before the birds come in, and you will never be able to handhold for hours, even a compact camera is going to render you exhausted.
- If you had to use flash, always use manual. Small birds have super fast reflexes and will react to your pre-flash. I was told that certain species can even fly away when your mirror flips, and before your shutter opens!
- Lots and lots of patience. And do some homework on the bird's behaviour before approaching the subject.
Friday, February 29, 2008
路遥知马力
F2.8 1/6th ISO3200
Picture control: Vivid
Active d-lighting: Normal
Picture control: Vivid
Active d-lighting: Normal
1 month into using the camera, and I'm still at the stage of customizing it. Here are my latest impressions.
Memory Banks
There are 2 kinds of memory banks, namely Shooting menu bank, and Custom menu bank, and it is the most confusing aspect of the camera I've found so far. Each of these banks have 4 slots, and can be renamed. Problem is that ALL the settings can be stored in banks, so I always forget which bank has what settings. It is very frustrating to pick up the camera only to realise that sometimes this button does this, and sometimes not. Sometimes it beeps when in focus, other times it just doesn't shoot. So one fine day I sat down, drew out a large table on an A3 paper with all the available settings, and carefully planned out what I deem should be the most effective way of utilizing them. (And up till now I am still fine-tuning the chart) Here's my plan for reference:
Shooting banks - I tend to think of them as the "film" I load, and name them rightly so.
A - "Standard outdoor" - ISO auto base @ 200/Standard + 5 sharpening/NR low/AD-lighting normal. This is the mode I'll use for walkabouts and casual shots. It delivers pictures ready for print, and works well when flash is not used indoor too.
B - "Indoor flash" - ISO auto base @ 800/Standard + 5 sharpening + 1 saturation/NR low/AD-lighting off. This is usually for indoor events. The reason for ISO auto is that if subject is too far for flash to light up, it will automatically bump up the ISO. For all other cases, it remains at the base 800. U will have to manually crank it up if u want more ambient light. ADL must be off. If left on, it will ALWAYS underexp 0.3~0.7 stops depending on settings, and then level it up in PP. My strategy indoors however is to overexp 0.3 stops and level down, as indoors we are more worried of shadow noise than highlight blowouts.
C - "Vivid landscapes" - ISO auto base @ 100/ Vivid + 5 Sharpening/NR low/AD-lighting high. This is used interchangeably with A. It is equivalent to Velvia 100. Very good for high contrast landscapes.
D - "HDR" - ISO base 100/Neutral/NR off/AD-lighting off. As the name states, this is purely for HDR, as well as pictures where I want to do heavy PP. Since we will be shooting and bracketing on a tripod, NR and ADL isn't required.
Any other settings are normalised throughout the 4 banks so as to reduce confusion.
Custom banks: I think of this as the "camera" I'm using. This is also effective should you be sharing the camera with someone else. Right now I'm only varying the AF settings and button arrangements across the banks. It is worth to consider reserving a bank as "dummy", with everything auto, so that the friend who is picking up your camera won't suddenly realise that the buttons don't work as labeled.
High ISO performance
This was taken for granted in the Canon camp. But with the D300, Nikonians are finally on the same level. But this is no D3. D3 is the jaw dropping available DARKNESS shooter. That said, the shot above was taken around 7.30pm, and the tires were lit by streetlights. Very impressive, coming from a Nikon. But Nikon has never been stingy with image quality. I wouldn't be surprised the upcoming D90 will have better high ISO performance, so this shouldn't be the main factor for any upgraders.
Liveview
I shot the above pic using LV. Otherwise i'll have to prone on what looks suspiciously like an army of ants. But it is without it's idiosyncrasies. It still flips its mirror down, and up, before a picture is taken, even in MF mode. I know I have a 150,000 shutter durability unit, but this is a stupid way to waste shutter count.
AF
It is not magic. U HAVE to fully understand the algorithms before you can max it out. That said, I just shot my nephew - an 18 month toddler running around the house in 3D 51pt focus, and results are superior to D70. I no longer need to focus and recompose. I can concentrate on composition while the camera takes care of focus. You have to watch it though, it may go nuts when the light gets low.
AWB
This is something head and shoulders ahead of D70. It is eerily accurate even under artificial lighting. Tungsten is a little warm though, but very representative of what our eyes see.
That's all for tonight. Shall end with a picture for my 6 year old favourite transportation.
Memory Banks
There are 2 kinds of memory banks, namely Shooting menu bank, and Custom menu bank, and it is the most confusing aspect of the camera I've found so far. Each of these banks have 4 slots, and can be renamed. Problem is that ALL the settings can be stored in banks, so I always forget which bank has what settings. It is very frustrating to pick up the camera only to realise that sometimes this button does this, and sometimes not. Sometimes it beeps when in focus, other times it just doesn't shoot. So one fine day I sat down, drew out a large table on an A3 paper with all the available settings, and carefully planned out what I deem should be the most effective way of utilizing them. (And up till now I am still fine-tuning the chart) Here's my plan for reference:
Shooting banks - I tend to think of them as the "film" I load, and name them rightly so.
A - "Standard outdoor" - ISO auto base @ 200/Standard + 5 sharpening/NR low/AD-lighting normal. This is the mode I'll use for walkabouts and casual shots. It delivers pictures ready for print, and works well when flash is not used indoor too.
B - "Indoor flash" - ISO auto base @ 800/Standard + 5 sharpening + 1 saturation/NR low/AD-lighting off. This is usually for indoor events. The reason for ISO auto is that if subject is too far for flash to light up, it will automatically bump up the ISO. For all other cases, it remains at the base 800. U will have to manually crank it up if u want more ambient light. ADL must be off. If left on, it will ALWAYS underexp 0.3~0.7 stops depending on settings, and then level it up in PP. My strategy indoors however is to overexp 0.3 stops and level down, as indoors we are more worried of shadow noise than highlight blowouts.
C - "Vivid landscapes" - ISO auto base @ 100/ Vivid + 5 Sharpening/NR low/AD-lighting high. This is used interchangeably with A. It is equivalent to Velvia 100. Very good for high contrast landscapes.
D - "HDR" - ISO base 100/Neutral/NR off/AD-lighting off. As the name states, this is purely for HDR, as well as pictures where I want to do heavy PP. Since we will be shooting and bracketing on a tripod, NR and ADL isn't required.
Any other settings are normalised throughout the 4 banks so as to reduce confusion.
Custom banks: I think of this as the "camera" I'm using. This is also effective should you be sharing the camera with someone else. Right now I'm only varying the AF settings and button arrangements across the banks. It is worth to consider reserving a bank as "dummy", with everything auto, so that the friend who is picking up your camera won't suddenly realise that the buttons don't work as labeled.
High ISO performance
This was taken for granted in the Canon camp. But with the D300, Nikonians are finally on the same level. But this is no D3. D3 is the jaw dropping available DARKNESS shooter. That said, the shot above was taken around 7.30pm, and the tires were lit by streetlights. Very impressive, coming from a Nikon. But Nikon has never been stingy with image quality. I wouldn't be surprised the upcoming D90 will have better high ISO performance, so this shouldn't be the main factor for any upgraders.
Liveview
I shot the above pic using LV. Otherwise i'll have to prone on what looks suspiciously like an army of ants. But it is without it's idiosyncrasies. It still flips its mirror down, and up, before a picture is taken, even in MF mode. I know I have a 150,000 shutter durability unit, but this is a stupid way to waste shutter count.
AF
It is not magic. U HAVE to fully understand the algorithms before you can max it out. That said, I just shot my nephew - an 18 month toddler running around the house in 3D 51pt focus, and results are superior to D70. I no longer need to focus and recompose. I can concentrate on composition while the camera takes care of focus. You have to watch it though, it may go nuts when the light gets low.
AWB
This is something head and shoulders ahead of D70. It is eerily accurate even under artificial lighting. Tungsten is a little warm though, but very representative of what our eyes see.
That's all for tonight. Shall end with a picture for my 6 year old favourite transportation.
F2.8 1/50th ISO 2200
Yes, the orange light is streetlight as well
Yes, the orange light is streetlight as well
Sunday, February 17, 2008
My alarm clocks for today
This playful duo were happily chirping away early in the Sunday morning. Their calls sounded very much like "好了没有". Figured I couldn't sleep anymore (it's only 8am!) I got up determined to snap them. Apparently there's a third one around, but these 2 are always together.
This scene is damn hard to auto-focus, the system loves to lock onto the bright and contrasty background instead. (yes even with the CAM3500DX on single point single shot servo). This might be yet another compelling reason why pros use big teles instead of cropping from a high res sensor - to fill more of the frame with the subject for easier AF/AE lock.
This scene is damn hard to auto-focus, the system loves to lock onto the bright and contrasty background instead. (yes even with the CAM3500DX on single point single shot servo). This might be yet another compelling reason why pros use big teles instead of cropping from a high res sensor - to fill more of the frame with the subject for easier AF/AE lock.
Tuesday, February 12, 2008
It's that time of the day again
The bad thing about an 8-5 job is the monotony of life. Everyday is essentially the same thing all over again. I look forward to evenings, not only because of beautiful sunsets, but because it is the moment I can come out to play - jog, swim, cycle, or just walk around feeling the breeze.
And now I shall get back to work again.
And now I shall get back to work again.
Sunday, February 10, 2008
Beauty and the Beast
Shit I'm getting very vain. Only bo liao or haolian photogs would shoot pictures of their own equipment. A search on flickr would throw up lots of pictures of fully loaded backpacks with sweet bodies/lenses spread all over the frame, and drawing silly comments on how cool their equipment is. I despise them. Now I *almost* despise myself.
The AIS lenses just seemed to have a different coating, and the reflections from the elements look wonderfully multi-coloured. Of course I couldn't help but mount it on my new baby and yes, it was shot using the d70 - still alive and kicking.
The AIS lenses just seemed to have a different coating, and the reflections from the elements look wonderfully multi-coloured. Of course I couldn't help but mount it on my new baby and yes, it was shot using the d70 - still alive and kicking.
Thursday, February 07, 2008
Towards a better year
The first shoot done by the D300/17-50 combo
I will never forget last year's Chinese New Year. I sneaked out of house early in the morning to buy my Tokina, while most of Singapore's Chinese population were resting from the hectic celebrations. It was a damn worth deal, and that lens remains as the most fun-to-use lens.
In just a short lunar year, I've seen myself progress, equipment wise as well as skill. (Though I seriously think my equipment is too pro for me) The addition of 2 lenses, a flash and a solid pro body, who would have thought of such a major upgrade a year ago? Hopefully, I will experience similar levels of improvement this year.
To all loyal readers of this blog, may the new year bring ample photographic opportunities!
In just a short lunar year, I've seen myself progress, equipment wise as well as skill. (Though I seriously think my equipment is too pro for me) The addition of 2 lenses, a flash and a solid pro body, who would have thought of such a major upgrade a year ago? Hopefully, I will experience similar levels of improvement this year.
To all loyal readers of this blog, may the new year bring ample photographic opportunities!
Sunday, February 03, 2008
D300 - Coming from the D70
The more you understand it, the less you will want any other DSLR
I am beginning to agree to this advertising statement from Nikon. I put this baby through some portrait shoot today, and shot some 150 pics. While I'm still far from understanding it inside out, initial impressions are that this is something no nikon user could have imagined 5 months ago. I'm not going to bore people with the usual specs, you should know them if you managed to find my blog. This is purely my personal opinion, coming from the nikon d70.
Build and ergonomics
The d70 feels like a toy next to this thing. The softer, stickier rubber used on the already well sculpted body ensures a very comfortable grip. The MB-D10 is almost indespensible if one shoots portrait orientation often. The battery grip, I believe, is the most well made grip ever. (don't know about the F6's grip though). It's revolutionary design means that it has a slimmer profile, and batteries are loaded just like the pro bodies. Solid, with no creaks and hardly any movement even when I mounted the d300 + grip + 80-200 f2.8 on a tripod via the grip's tripod socket. Yes.. it's the closest thing to an integrated grip as I can imagine.
Viewfinder is 100%. Real 100%. Users of D200/D80 would not find any difference in size, but the 100% is CRUCIAL to framing portraits. I can now be confident that I cropped off the body parts at appropriate positions. I can now be confident the space around the subject is just right. Put it shortly, I can frame the shot just like I would crop it in post process.
The LCD
No need to shoot tethered to a laptop on commercial shoots now. Enough said.
The Colours
I loaded up the D2XModeI for a portrait shoot today. While amatuer models would tweak the rendition for a more punchy look, it screws up skintones, making people look jaundiced. This mode got me very natural skintones. Smooth and detailed, replicated pretty darn close to what my eyes perceive. Awesome. No more orangy arms, or magenta faces. Just like I want it to be.
The CAM3500DX 51pt AF module
51pt dynamic 3D tracking may not be the most accurate method for sports, but it is pretty darn useful for portraits. I could concentrate on composition while the model strolls down the road. No need for the subject to stay in selected focus point. The camera takes care of it all, and you could actually see the AF points light up wherever the face is. Something like face-detection on point and shoots. Cool stuff.
Handling and feel
I remembered how intrigued I was when I moved from FZ30 to D70, and as I move to D300, I was equally stunned. Employing a 'soft' spring on the shutter release buttons, I can almost trigger the camera by instinct. I can take a picture before I actually realise it. Wow.
I am beginning to agree to this advertising statement from Nikon. I put this baby through some portrait shoot today, and shot some 150 pics. While I'm still far from understanding it inside out, initial impressions are that this is something no nikon user could have imagined 5 months ago. I'm not going to bore people with the usual specs, you should know them if you managed to find my blog. This is purely my personal opinion, coming from the nikon d70.
Build and ergonomics
The d70 feels like a toy next to this thing. The softer, stickier rubber used on the already well sculpted body ensures a very comfortable grip. The MB-D10 is almost indespensible if one shoots portrait orientation often. The battery grip, I believe, is the most well made grip ever. (don't know about the F6's grip though). It's revolutionary design means that it has a slimmer profile, and batteries are loaded just like the pro bodies. Solid, with no creaks and hardly any movement even when I mounted the d300 + grip + 80-200 f2.8 on a tripod via the grip's tripod socket. Yes.. it's the closest thing to an integrated grip as I can imagine.
Viewfinder is 100%. Real 100%. Users of D200/D80 would not find any difference in size, but the 100% is CRUCIAL to framing portraits. I can now be confident that I cropped off the body parts at appropriate positions. I can now be confident the space around the subject is just right. Put it shortly, I can frame the shot just like I would crop it in post process.
The LCD
No need to shoot tethered to a laptop on commercial shoots now. Enough said.
The Colours
I loaded up the D2XModeI for a portrait shoot today. While amatuer models would tweak the rendition for a more punchy look, it screws up skintones, making people look jaundiced. This mode got me very natural skintones. Smooth and detailed, replicated pretty darn close to what my eyes perceive. Awesome. No more orangy arms, or magenta faces. Just like I want it to be.
The CAM3500DX 51pt AF module
51pt dynamic 3D tracking may not be the most accurate method for sports, but it is pretty darn useful for portraits. I could concentrate on composition while the model strolls down the road. No need for the subject to stay in selected focus point. The camera takes care of it all, and you could actually see the AF points light up wherever the face is. Something like face-detection on point and shoots. Cool stuff.
Handling and feel
I remembered how intrigued I was when I moved from FZ30 to D70, and as I move to D300, I was equally stunned. Employing a 'soft' spring on the shutter release buttons, I can almost trigger the camera by instinct. I can take a picture before I actually realise it. Wow.
8fps is just ecstacy. I have no use for it now, except maybe to draw some unwanted attention. But knowing that you have such an option is a definite boost to one's confidence.
Oh yes, I've asked this question many times but seldom will people answer me. There IS a noticable improvement in focusing speed when the 8 AAs are loaded. Add that to the inherent improvement over the D70, my all AFD arsenal of lens just got more responsive.
AF Fine tuning
I can now ensure that my lens won't back/front focus. They are now TACK sharp. You won't think this is important until you start shooting 12mpx files. This is the way to ensure every single ounce of detail is squeezed out of your prized lenses.
A point to note though, there can be compatibility problems with 3rd party lenses. My d300 cannot tell a tokina 12-24 from a tamron 17-50... but very very luckily, both my lenses require the same compensation. Phew!
Metering with non-cpu lens
Shot with my AIS 50mm f1.4 indoors. It can matrix meter, and do ITTL flash. No problem. Turning the aperture ring automatically updates the camera. DOF preview is also possible. The large viewfinder makes manual focusing easier, though it's still a far cry from the prism split screens on the FM. But I no longer need to guess the exposure with my 50mm. Every single shot is well exposed, vibrant and colourful. I now know how optically wonderful this lens actually is.
Extras extras extras!!!
The more I read into the thick manual, the more surprises are revealed, all contributing to making the D300 one of the most customizable camera ever built.
Saturday, February 02, 2008
This is the closest thing to crazy i've ever did
It's nauseating to hand over large stacks of cash. Almost fainted when I saw my bank balance after the purchase. Felt real sick. It's buyer's remorse at the max. This baby had BETTER be REAL GOOD.
Else this shall be one of my last posts...
Thursday, January 31, 2008
Getting to know you
It is indeed a beautiful moment. Two people of different backgrounds, upbringing, habits coming together... it's all about understanding, compromising, complementing one another.
Some of it applies to me and my Tamron too. I forced myself to bring only this lens to the wedding, just so that I can better understand the strengths and limitations of this optic. It will take some time before I can fully exploit its capabilities.
Only when the camera and photographer fuses as one body can one fully concentrate in capturing the soul.
Thank you Mrs Phee for granting permission to publish this photo here
Some of it applies to me and my Tamron too. I forced myself to bring only this lens to the wedding, just so that I can better understand the strengths and limitations of this optic. It will take some time before I can fully exploit its capabilities.
Only when the camera and photographer fuses as one body can one fully concentrate in capturing the soul.
Thank you Mrs Phee for granting permission to publish this photo here
Saturday, January 26, 2008
Monday, January 21, 2008
New year goodies #1 - Tamron 17-50mm
New year goodies should come in red, but mine will all be black. Ok, with a bit of gold, and the one with a bit of red will arrive... soon?
For a start, my goodies should come in 2 parts. (hint hint) This is the first major upgrade - the Tamron SP AF 17-50mm F/2.8 XR Di-II Aspherical IF. Try saying that in one breath. This is the one lens that will take over my kit, and it's my 2nd lens capable of an f2.8 throughout.
There are many people looking to upgrade their kit lens, and being just 300 bucks more, one should certainly consider this lens as an option. So just how big is the improvement? When I took the first picture with this lens, I was stunned. Despite the picture being taken indoors (in the shop) without flash, the colour rendition was punchy and bright. Why couldn't i get the same picture with other lenses? I shot it at iso400.
It is only when one uses a fast lens that he realizes the advantage. No matter how great your body's high iso capability is, it is no substitute for fast glass. The subject isolation, OOF highlight rendition, it's simply one level up. For the price of SGD600, there is just no contest. Nikon's very own 17-55mm is at least 3.5 times the price for the slight improvement in optical quality. For a cheapskate like me, that lens is simply out of the question.
Reviewers like to say how much inferior the built of the lens is, compared to the rest of the competition. I'd say it's rubbish. One shouldn't compare a 600 dollar lens to a 2k+ Nikon, or a 800+ Tokina. I can break 3 tamrons before I actually match the loss of a Nikon. That is almost a 9 year warranty! (18 years, if you are in USA) Compared to a tokina 16-50, this is simply the sharper lens. You are trading image quality for build. Coming from the kit 18-70, I'd say this lens feels more solid. There is no wobble in the extension cam, unlike the shaky twin cam design of the kit. The thick rubber zoom ring has a nice tension when turned, and the focus ring is pretty damped. It is quite comparable in built to a Canon 17-85 imho, and I'm not at all worried about using this lens on my assignments.
Next, is the focus. For Nikon users, we are in luck. (Sony guys too) Tamron's own micro-motor for canon is just squeaky and slow. On my d70, I am hard pressed to find any difference between this lens and my kit. Sure it is less silent, and the moving focus ring might annoy some, but I have no complains. Hopefully, it is even more responsive on a d300 (another hint hint). Of course, these are just first impressions as i have yet to drive it hard on assignment.
Image quality is stellar for the price. I tested it extensively in the shop, bringing my laptop to view pictures at 100%. This made in Japan set has no TTL-BL overexposure syndrome, and is tack sharp, even at f2.8. No front, back focus problems too.
My remorse for selling my kit lens is pretty much gone when I tested this lens. I believe it shall be one hell of a companion in the days to come.
For a start, my goodies should come in 2 parts. (hint hint) This is the first major upgrade - the Tamron SP AF 17-50mm F/2.8 XR Di-II Aspherical IF. Try saying that in one breath. This is the one lens that will take over my kit, and it's my 2nd lens capable of an f2.8 throughout.
There are many people looking to upgrade their kit lens, and being just 300 bucks more, one should certainly consider this lens as an option. So just how big is the improvement? When I took the first picture with this lens, I was stunned. Despite the picture being taken indoors (in the shop) without flash, the colour rendition was punchy and bright. Why couldn't i get the same picture with other lenses? I shot it at iso400.
It is only when one uses a fast lens that he realizes the advantage. No matter how great your body's high iso capability is, it is no substitute for fast glass. The subject isolation, OOF highlight rendition, it's simply one level up. For the price of SGD600, there is just no contest. Nikon's very own 17-55mm is at least 3.5 times the price for the slight improvement in optical quality. For a cheapskate like me, that lens is simply out of the question.
Reviewers like to say how much inferior the built of the lens is, compared to the rest of the competition. I'd say it's rubbish. One shouldn't compare a 600 dollar lens to a 2k+ Nikon, or a 800+ Tokina. I can break 3 tamrons before I actually match the loss of a Nikon. That is almost a 9 year warranty! (18 years, if you are in USA) Compared to a tokina 16-50, this is simply the sharper lens. You are trading image quality for build. Coming from the kit 18-70, I'd say this lens feels more solid. There is no wobble in the extension cam, unlike the shaky twin cam design of the kit. The thick rubber zoom ring has a nice tension when turned, and the focus ring is pretty damped. It is quite comparable in built to a Canon 17-85 imho, and I'm not at all worried about using this lens on my assignments.
Next, is the focus. For Nikon users, we are in luck. (Sony guys too) Tamron's own micro-motor for canon is just squeaky and slow. On my d70, I am hard pressed to find any difference between this lens and my kit. Sure it is less silent, and the moving focus ring might annoy some, but I have no complains. Hopefully, it is even more responsive on a d300 (another hint hint). Of course, these are just first impressions as i have yet to drive it hard on assignment.
Image quality is stellar for the price. I tested it extensively in the shop, bringing my laptop to view pictures at 100%. This made in Japan set has no TTL-BL overexposure syndrome, and is tack sharp, even at f2.8. No front, back focus problems too.
My remorse for selling my kit lens is pretty much gone when I tested this lens. I believe it shall be one hell of a companion in the days to come.
Sunday, January 20, 2008
Goodbye to you my beloved
Dear Kit lens,
Being my first lens, you are very special and lucky. You accompanied me on many occasions, and even shot a wedding all by yourself back in 2006. Your versatile zoom range and light weight made you the choice lens for "one-lens" walkabouts. Your IR capability also opened up a new realm of photographic opportunities, enabling the creation of some extraordinary photographs. You took the most holiday, landscape, walkabout and huixun photos to date.
Unfortunately, you took the most abuse as well. Your over ambitious owner wanted to create professional results from amateur equipment, and subjected you to a professional level of torture. I often had no time properly settle you in the bag, not to mention putting on your cap. You had to brave sand and rain, conditions that were challenging even for your better built counterparts. Eventually, you fell ill with a stuck zoom. The lens doctor say you have a screw lose, and I had to pay for your medical bill. You were also said to have a weak motor, and is not fit for heavy duty anymore.
I'm sorry I had to sell you away. Blame me for being heartless, or even cruel, but I was afraid you could not take the stress and might just break down one day. I am also greedy, hoping to find a sharper, faster lens for my PJ work. I put my job ahead of your welfare. I apologize.
Hopefully, your new owner will not torture you so much, and you would have a better life ahead. During the 17 months under my ownership, you have given me an amazing collection of pictures that I will treasure for ever. I will miss you.
Your step-owner,
manpacker
Being my first lens, you are very special and lucky. You accompanied me on many occasions, and even shot a wedding all by yourself back in 2006. Your versatile zoom range and light weight made you the choice lens for "one-lens" walkabouts. Your IR capability also opened up a new realm of photographic opportunities, enabling the creation of some extraordinary photographs. You took the most holiday, landscape, walkabout and huixun photos to date.
Unfortunately, you took the most abuse as well. Your over ambitious owner wanted to create professional results from amateur equipment, and subjected you to a professional level of torture. I often had no time properly settle you in the bag, not to mention putting on your cap. You had to brave sand and rain, conditions that were challenging even for your better built counterparts. Eventually, you fell ill with a stuck zoom. The lens doctor say you have a screw lose, and I had to pay for your medical bill. You were also said to have a weak motor, and is not fit for heavy duty anymore.
I'm sorry I had to sell you away. Blame me for being heartless, or even cruel, but I was afraid you could not take the stress and might just break down one day. I am also greedy, hoping to find a sharper, faster lens for my PJ work. I put my job ahead of your welfare. I apologize.
Hopefully, your new owner will not torture you so much, and you would have a better life ahead. During the 17 months under my ownership, you have given me an amazing collection of pictures that I will treasure for ever. I will miss you.
Your step-owner,
manpacker
Monday, January 14, 2008
眼花缭乱
Honestly speaking, I'm don't like the mood of CNY. It just makes me chaotic, heated and dizzy. The loud crackers and music, the huge crowds and the raw, saturated reds just makes me anything but happy.
CNY also means spring cleaning, and there's no excuse for me to not do anything. Sheesh...
I can't imagine how I will feel glad about CNY the day I stop receiving ang baos.
CNY also means spring cleaning, and there's no excuse for me to not do anything. Sheesh...
I can't imagine how I will feel glad about CNY the day I stop receiving ang baos.
Saturday, January 12, 2008
One for the family
Panasonic TZ-3, 1 torchlight, 20 sec exposureNo one in the family wants to use my d70. I decided to recommend this cam instead. Easy to use, with a super versatile 28-280mm lens and true 16:9 aspect ratio, it is very fun to shoot with. But image quality.... is quite a disappointment. One must really understand the behavior of the camera in order to bring out its true potential.
I'm exploring the techniques of light painting. It is free (provided you own a camera and torch light), and fun.
I'm exploring the techniques of light painting. It is free (provided you own a camera and torch light), and fun.
Friday, January 11, 2008
Saturday, January 05, 2008
On the way to commit the same mistake again?
"A good carpenter never blames his tools"
This is a phrase I really hope to believe in. 3 years ago, my dad was on the verge of upgrading our 2nd hand, 20+ year old piano. I told him to wait, despite knowing that there would definitely be an improvement if we upgraded. Beethoven learnt on a piano found from a junk yard. So why couldn't I carry on with the old one? A new piano would cost in excess of 8k, and that is a hideous sum of money, for a piece of instrument that has only one application.
In the end I stopped my lessons due to NS, and have yet to consider carrying on now that I ORDed. I thought it was lucky that we did not upgrade. But on hindsights, should the piano in the living room be a brand new one, I would have forced myself to carry on.
Today, I'm in the same dilemma again. My d70 has contracted terminal illness, and wouldn't be worth repairing due to high costs. I've decided to wait... just carry on using it till it breaks into pieces, despite knowing that much more powerful cameras are available. Award winning photographs were made with even older cameras, why should I upgrade? 2.6k for an instrument that only shoots photographs is an enormous sum too.
The future for my photography seems bleak. In half a years time I'll be in uni, and might not have the luxury of time to shoot much. I can still stay on in 摄影队，but I've not seen any uni students still shooting as a student photojournalist.
Will this hobby just die out on me? I'm beginning to see myself as a guy who cannot sustain interests. Everything is just 三分钟热度. I despise myself...
Shit.
This is a phrase I really hope to believe in. 3 years ago, my dad was on the verge of upgrading our 2nd hand, 20+ year old piano. I told him to wait, despite knowing that there would definitely be an improvement if we upgraded. Beethoven learnt on a piano found from a junk yard. So why couldn't I carry on with the old one? A new piano would cost in excess of 8k, and that is a hideous sum of money, for a piece of instrument that has only one application.
In the end I stopped my lessons due to NS, and have yet to consider carrying on now that I ORDed. I thought it was lucky that we did not upgrade. But on hindsights, should the piano in the living room be a brand new one, I would have forced myself to carry on.
Today, I'm in the same dilemma again. My d70 has contracted terminal illness, and wouldn't be worth repairing due to high costs. I've decided to wait... just carry on using it till it breaks into pieces, despite knowing that much more powerful cameras are available. Award winning photographs were made with even older cameras, why should I upgrade? 2.6k for an instrument that only shoots photographs is an enormous sum too.
The future for my photography seems bleak. In half a years time I'll be in uni, and might not have the luxury of time to shoot much. I can still stay on in 摄影队，but I've not seen any uni students still shooting as a student photojournalist.
Will this hobby just die out on me? I'm beginning to see myself as a guy who cannot sustain interests. Everything is just 三分钟热度. I despise myself...
Shit.
Wednesday, January 02, 2008
These are the few of my favourite things
My current obsessions - square crop, infrared, frames. Shot this photo while walking back to the car from the merlion sunrise. The lush and tall trees made me want to frame everything up, and then i saw this building. It was framed so delicately by the trees around me I forced myself to setup the already stowed tripod for this shot. The IR tones further enhances the British flavour of the colonial building. It is a picture which I derived most pleasure in post processing. Finally, the square crop just made it perfect.
It would have been a little better, if the vegetation on the left were a little thicker... but this is already good enough. 知足常乐嘛！
It would have been a little better, if the vegetation on the left were a little thicker... but this is already good enough. 知足常乐嘛！
Tuesday, January 01, 2008
Peaceful, Easy feeling
The first sunrise of 2008There are many ways to celebrate new year's day. Some people like to stay up late into the night, partying, counting down and partying again, trying their best to out-scream each other as the clock strikes twelve with the fireworks booming in the background... Only to wake up late with a splitting headache and finding your ass toasted by the sun.
Some others, being lazy, may prefer to stay at home with family and friends, watch the countdown from TV, then send out a few generic SMSs and then sleep... like any other day.
Being solitary (or anti-social), I don't really enjoy crowded places. I wanted to do something meaningful, something that will make today worth remembering. Ideally something photographic as well. I decided to catch the first rays of sunlight.
And bring back this symbolic picture.
With this, I officially start year 2008.
--------------
On a side note, I made my very first solo drive down for this picture. With the streets empty and the air cool and refreshing, it was a truly sensational journey. The experience itself was worth the trip =)
o.O Believe in your eyes
Yes, your eyes ain't lying. That's me in the pic.
Only 0.1% of the pictures I've taken has got me in it. This is not surprising. Not only am I very un-photogenic, as a photographer I have high expectations of how I should look in a pic. My camera isn't exactly passers-by friendly too.
It's a new year, and my 1 year old avatar should retire liao. While waiting for the sun to set, I got my other un-photogenic friend to help me make a new avatar. We tried out a cross-lighting technique picked up from strobist, and it worked like a charm. But sadly, the subject was not very glam to begin with... but heck. I need a new avatar.
It's a new year, and my 1 year old avatar should retire liao. While waiting for the sun to set, I got my other un-photogenic friend to help me make a new avatar. We tried out a cross-lighting technique picked up from strobist, and it worked like a charm. But sadly, the subject was not very glam to begin with... but heck. I need a new avatar.
Dear d70
Thanks to you, I could not post any pictures in time for the arrival of 2008. I know it has been a long year for you. Ever since I bought you, you have taken no less than 16000 pictures. You've been put through difficult times, under the rain, baked in the sun, exposed to gusts of sand in the outbacks of Australia, and not a moment of rest from the 3 weddings you've shot. I understand, it's tough, but dun do this to me ever again.
I've spent an hour and a half travelling to punggol, waited another few hours just for the last sunset of the year. And then you formatted my card. Without warning somemore. What are you thinking? You wanna go on strike? I know it's new years eve, but this is your responsibility. You ought to be ashamed of the Nikon badge you wear.
Now you have to force my 3 year old laptop to work OT, putting back the pieces of wadever is left in the card. He did not get a good night's sleep. People just recovered from a heart (disk) failure and you want to torture him. Naughty fella!
Now, go back into the dry box and think through what you've done. If you ever repeat this mistake again, you shall be relegated to back-up status. I'll just have to find someone else to get the job done.
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