Tuesday, December 11, 2007
Monday, December 10, 2007
Yet another RANT
I've finally come to the last wedding pictures for this "season". As usual, I'll do a de-brief of things I learnt.Where I failed:
- Too tight crops of subjects. I was a little too desperate to capture certain expressions, so much so that I zoomed right into their faces. Not only does it look weird to have 6mpx worth of a face, the picture also fails to tell a story. Why did this person laugh? Why the funny expression? An excuse I can come up with is that with a small and dark viewfinder, I tend to zoom in more closely to look at the expressions. Crap, another excuse for a d300.
- Too much tilt shots. This is getting out of hand. An occasional tilt adds life to the set, but overdoing it resulted in a hap-hazard presentation. Stupid. In my tries for the perfect tilt, I screwed up many shots that would otherwise be ok. In addition, having too much tilt shots also shows that i lack maturity and proper composition skills.
- Poor focus. Can't be helped, I'll get the solution should a new wedding assignment draws near.
- Not observant of light. Mounting a flash results in being totally insensitive to light. I should also learn to add more direction to where my flash is bounced, but have to watch where I blast it at.
- Bias towards family members. I shot so many pictures of my relatives I find them sick. Should have paid more attention to other people. I still lack professionalism.
- Lazy. Somewhere into the dinner, I felt tired and began to think I've got enough shots. But the truth is, the later into the night, the livelier the crowd becomes, and the more opportunities there are. Haiz.
- Expression. Of course as I mentioned I get too tight expressions, but having expressions is still better than none at all. At least there is a little more variety compared to previous weddings.
- Exposure. Although I have no fast lens and hot bodies, I do have a good flash, helping me nail the exposure for the bread and butter group shots. I need to develop a way to flash without getting reflections from glasses though. An option would be off hand lighting, which is cumbersome.
- Workflow. I learnt to be more organized in picking out the better pictures and developing them, saving time (as if i'm in a hurry...lol)
Saturday, December 08, 2007
Should I just stop here?
Another rant post, without photos. Weather isn't spectacular, and i'm not really in the mood to shoot anyway.
Almost done editing photos from the penang shoot. Thinking through what i've did so far, I'm forced to ask myself this qn: Should I stop?
I'm a cheapo. I keep holding back my purchases despite knowing how much they can help me improve. I keep thinking that I can shoot like a pro without the need for pro equipment, so long as i develop proper skills. All these because I know I will not go pro, and my equipment will never pay for itself.
Conventional, photojournalistic, documentary shots are now not much a problem. But they aren't challenging. Any bloke owning the right gear would nail them. To go beyond and shine, i'll really need to pump in big bucks.
1) Fast lens. At least a 2.8 zoom, or go for primes. I can contend myself with the flat flashed images, or go get some primes to shoot the really outstanding mood shots. The cheapest 2.8 zoom retails for 600++, and good primes will cost in excess of 1k.
2) Hot body. Either a d300, or get a canon 40d. I've seen how much a hot bod can help nail the shot. Not only with their fast fps, the superior AF system and low ISO noise will give me lots of advantages. Pros can laugh, quoting how they one-shot-one-killed in many situations, but they end up sporting a d2/1d series anyway.
3) Stable tripod. Call me a cheapo, but i'm still waiting for the super steady ballhead tripod retailing below 200 bucks.
But being a cheapo, I'm reluctant to spend. I don't want people to think I dunno how to prioritise my needs, buying exotic equipment just to get photos that don't earn money. It's all about satisfaction. It's just a hobby. Maybe I should just forget about all these and contend myself with normal pictures any tom dick and harry would get.
Monday, December 03, 2007
Verdict - No D300, No more weddings!
It may sound really extreme. There are pros out there shooting d200 weddings, and maybe some d100/d70 pros as well. But in my case, i couldn't be more pissed than missing so many shots because of a body.
Smiles, kisses, handshakes, laughters; the very moments of joy and jubilation that defines a wedding reception all took place spontaneously and without warning. To me, it's like walking into a battlefield. Everywhere i turn, there's a scene crying to be shot, rare and precious memories waiting to be captured. I cannot fail. It's a once-in-a-lifetime thing.
While I am still far from psychic, I expect my equipment to be at least be as responsive as myself. When I point it at a face, it should lock focus, ok, at least try to achieve focus. But NO. The cam900 system took 0.5sec to START moving the focus, and then another 0.5-1sec to lock focus (if it managed to lock at all) This is like a gun that fires a sec after u pulled the trigger. I'm be better off dead.
The lower resolution of the cameras doesn't make them the ideal choice for group shots as well, especially when the iso1600 noise obscures the fine details.
Fortunately, Nikon's D300 seems like its made specially for the job. With its d2-beating AF system, and noise comparable to a Canon, it is the ideal and most logical upgrade for me. Sadly, very sadly, it retails for SGD2700, and it's unlikely to drop price anytime soon. Looks like i'll have to turn down wedding assignments till i saved up enough for the new toy.
Smiles, kisses, handshakes, laughters; the very moments of joy and jubilation that defines a wedding reception all took place spontaneously and without warning. To me, it's like walking into a battlefield. Everywhere i turn, there's a scene crying to be shot, rare and precious memories waiting to be captured. I cannot fail. It's a once-in-a-lifetime thing.
While I am still far from psychic, I expect my equipment to be at least be as responsive as myself. When I point it at a face, it should lock focus, ok, at least try to achieve focus. But NO. The cam900 system took 0.5sec to START moving the focus, and then another 0.5-1sec to lock focus (if it managed to lock at all) This is like a gun that fires a sec after u pulled the trigger. I'm be better off dead.
The lower resolution of the cameras doesn't make them the ideal choice for group shots as well, especially when the iso1600 noise obscures the fine details.
Fortunately, Nikon's D300 seems like its made specially for the job. With its d2-beating AF system, and noise comparable to a Canon, it is the ideal and most logical upgrade for me. Sadly, very sadly, it retails for SGD2700, and it's unlikely to drop price anytime soon. Looks like i'll have to turn down wedding assignments till i saved up enough for the new toy.
Saturday, November 24, 2007
Bond - Beginning of the end?
The utmost commitment,
to stay as one till the lights go out.
How heavy are those rings?
Friday, November 16, 2007
Interior Architecture Photography
This is one aspect of photography where tripod is really important. And i really lack a quality one. (in fact my present one is so jialat i have fridge magnets stuffed into the legs to prevent it from slipping) Anyway, just saw some pros' works and they seemed to utilize subtle HDR for more pleasant highlights rendering, so here's my take on a landmark site at the upcoming terminal 3.
Tuesday, November 13, 2007
3rd try, no major improvements
Taking a break off the post processing of photos from my 3rd wedding assignment, held at Fullerton. I was better prepared than before, in terms of equipment as well as exposure. However, as i looked through the files i brought back, it struck me how little i improved. Perhaps I was not properly briefed on what's going on, perhaps because there were pros around and i did not want to get in the way, perhaps the lighting condition was so bad my cheapo equipment could not cope, perhaps.... the usual 101 excuses. Now for the debrief...
Biggest changes since the previous assignments:
- Better flash control. This is no doubt due to the more powerful (and expensive) SB800 being deployed, able to light up the whole room. Also because of more experience with flash during my SYD assignments, I was able to make the flash look more subtle.
- More ambient shots. Fullerton hotel was so grand, the interior so well decorated that I couldn't stop myself snapping away at little details and textures. These pics work well for "fillers", but are not the money shots.
- Natural light. I'm lucky to have a borrowed D50 body with me. Its iso1600 produces much richer and cleaner pictures than my D70 noise machine. I realised that I never went below iso800 for the whole of the assignment! However, this is still not enough to capture natural light shots during dinner reception. A check with the pro showed that he is shooting ISO 3200 (on a canon 40d), at F2!!! That is a wopping 2-4 stops of light ahead of me. Pro tio si pro... got money to buy fast lens and good bodies. Perhaps one day when i get a d3...
- More closeups. Yes, the bazooka is out again. It got me lots of smiles and expression shots that i could never achieve before. However, even the bazooka is not fast enough for the damn dinner room.
I learnt a big lesson: No matter how up ur skills can be, equipment matters! I also lack the experience, unable to anticipate moments of rich expression. The pro (ckuang from 39east) was ALWAYS there when people were smiling, laughing and shaking hands. Call him a psychic. Patience... Now i have to quickly finish my processing, and prepare myself for the 2nd wedding reception shoot in Penang, by the same couple. I'm feel honoured to be flown overseas just to shoot, and it'd better be good.
Friday, November 09, 2007
A photo worth bashing for?
Deep in the fields off edge-field plains, there lies a large lalang cluster...
Together with a friend, we spent 30 mins bashing through the thick foliage only to find that most of the lalangs were unripe. Just as I felt pretty contented with a couple of closeups (shame...), I turned my head and spotted this grand rainbow. Phew... I knew this picture will save the day!
Tips for anyone else willing to venture to this spot: Wear long pants/jeans. If u are NSman (yes i am!) or NSF (hang in there!), go ahead and wear your combat boots. Thank god I did, else you'll have a nice chocolate shoe for dinner.
Wednesday, November 07, 2007
Friday, October 26, 2007
The park I grew up with
This is the park I frequent from when I learnt to walk, to run, to cycle, to skate and now - to drive. It is a place I cherish, for it brings back fond memories of the countless times I visited.
Twenty years since I first set foot on the greenery, west coast park has undergone so much renovations that hardly any area was left untouched. The shores reclaimed, the playgrounds built and upgraded, even the birds come and go. Fortunately, the gleeful laughter from children never left. It's such a joy to watch them play.
Monday, October 22, 2007
Ups and Downs
Life's Like That!
Yes, this stunning bokeh can only be produced by one lens in my current arsenal: The bazooka. Went on the first walkaround in the playground with my new weapon, and my intention was to train myself in freezing the fleeting moments of joy on young faces. I learnt a big lesson.
Walking around with the "big black thing" seems to have the same effect as strolling with an M16 in a civilian world. People stare at you. Even kids can feel it's presense. It's hard to be discrete, harder to get the shot without people turning away. Singapore is still a very conservative society.
Wednesday, October 10, 2007
Wife pastry
Find me a wife as sweet as this...I'm so glad I'm finally getting better in lighting up food. Many people use window/natural light for such shots, but I had to resort to artificial lighting given the cloudy/rainy weather these days. My tripod isn't serviceable enough for long exposures as well.
This shot is a combination of 3 great "projects" i made recently. The first being the umbrella system, which consist of a cheap $2 umbrella i've been using all the while (without noticing the silver interior till a few weeks ago, shame...), mounted to my dying tripod using cable ties (talk about DIY). Shadows casted were very close to natural light, given its super large surface area in relative to the subject.
The second is my light tent, made from toys and tissue. Cost me nothing. Delivers studio-quality light.
Third is my soft box, a 4.5 x 6.5 inch contraption made from mooncake box packagings (yes, including the translucent grease proof paper). Doesn't make a difference for portraits, but a hell lot of improvement for food sized stuff.
Here's the final setup:
This shot is a combination of 3 great "projects" i made recently. The first being the umbrella system, which consist of a cheap $2 umbrella i've been using all the while (without noticing the silver interior till a few weeks ago, shame...), mounted to my dying tripod using cable ties (talk about DIY). Shadows casted were very close to natural light, given its super large surface area in relative to the subject.
The second is my light tent, made from toys and tissue. Cost me nothing. Delivers studio-quality light.
Third is my soft box, a 4.5 x 6.5 inch contraption made from mooncake box packagings (yes, including the translucent grease proof paper). Doesn't make a difference for portraits, but a hell lot of improvement for food sized stuff.
Here's the final setup:
Sunday, October 07, 2007
Anyone wanna sell stuff online?
Clearing off before my long awaited ORD date, I find myself with lots of free time for some handicraft. I've always wanted to try a little product shoot, taking pictures of little things around the house. The best way to achieve even lighting would be a light tent. One can either buy a ready made one, or if you are game enough, DIY one. It costs me nothing for this light tent, maybe just 2 hrs of construction. (i admit i made use of old toy sets, so i'm not exactly starting from scratch)
I'm currently obsessed with snapping stuff around me. Will be trying some creative lighting effects too. So anyone wants to sell items online can look for me to put ur stuff in the best light =)
Saturday, October 06, 2007
My camera is hungry
But i'm a noob at food photography. This picture doesn't do my mum's cakes justice. My next project: a light tent for food/product shots. Who wants to sell stuff on ebay?
Friday, September 28, 2007
The stuff dreams are made of...
When I bought the tokina back in February, I'd never have thought of another big ticket purchase for the rest of the year. However, life is unpredictable... or should I say my lust is uncontrollable. This is "hopefully" the final addition to my arsenal.Every photojournalist has 3 main lens - known as the trinity. For Nikon FX format, they are: 17-35mm, 24-70mm and 70-200mm VR. They are the bread and butter of any working pro, and cover 99% of the situations. Previously, I only had 12-24mm (~18-36) and 18-70mm (~28-105). What's more, they are all significantly slower at f4 or f4.5. I had to resort to the MF AIS 80-200mm f/4 for any range shooting/portraits. This is a serious handicap. I needed a tele zoom desperately.
To make matters worse, my uncle whom is getting married in Nov has requested me to shoot his wedding. My evaluation of previous assignments revealed that I had been seriously lacking close-up expression shots, which only a tele could provide. I initially thought of renting a pro lens (80-200mm f/2.8) just for the occasion. It costs $30 a day... which would add up to $180 for the assignment (including some overseas shoot). Not really worth if you ask me.
Buying a tele would be a better solution. My choice was between 55-200mm VR, 70-300mm VR, Sigma 70-200mm f/2.8 and nikon 80-200mm f/2.8. I almost purchased the 55-200, as it is the ideal travel zoom for amateurs, being light and pretty sharp with VR. However, being slow at f/5.6, I was afraid i couldn't get any sharp action without resorting to pumping ISO. Ditto the 70-300. This leaves the sigma and the nikon. Sigma is cheaper, and supposedly faster focusing. If i get a sharp copy, it would be well worth. But being 3rd party, there might be compatibility issues. It also doesn't hold its value as well.
I began trolling the net for any good bargains of used sigma/nikon, when this deal struck me. This baby costs only $1000! A new one retails for 1.6k... which means I could probably buy and sell and still make money! It's insane! Condition wise, there are a couple of user marks, but purely cosmetic. Optics are excellent... sharp as a tack. Focusing was surprisingly fast and accurate for a motor drive lens. In case you are wondering, this lens is easily as fast as the kit 18-70mm.
This is the first pro-caliber lens I own. Made of aluminum alloy (maybe stainless steel?), it is solid and heavy at 1.3kg. It would probably take some time to get used to the weight, but hey, i'm still young! In case you're still unclear, this is the legendary Nikkor AFD 80-200mm F2.8 ED. Hehehe.
Thursday, September 27, 2007
MAF food
I decided to mark my mid autumn festival with a food shot of the signature delicacy - Moocakes. The setup was lame... I had no square white plates in the kitchen, so i used tissue paper instead. Absorbs oil from the mooncake too... and disposable as well.
Sunday, September 16, 2007
Time of our lives
The world spins around you,
A kaleidoscope of Emotions.
Best of friends re-unite,
Reliving the time of our lives.
Thus is the spirit of the MAF
A kaleidoscope of Emotions.
Best of friends re-unite,
Reliving the time of our lives.
Thus is the spirit of the MAF
Sunday, September 09, 2007
Let there be lights!
This might well be a revolution in my photographic life. First, the "discovery" of the SU-400 remote flash mode hidden withing my SB800. I now have 2 lights, the first being on camera, and a second, the flash. This allows me to side/back light me subject, with the on camera for fill. However, the built in flash is still very much restricted as it is.. well.. built in. Direction is still flatAnd then, after digging out my old Emoblitz 328, I guess I hit the gold. This little $50 gadget has a built in slave trigger, allowing it to be triggered remotely! Now i can have lights on different axis of the subject, creating eye popping imagery I'd never dream before. One catch though: The emoblitz has no manual mode. I gaffer the thyristor to let it fire at full power, varying only the distance to subject.
The only things I lack now are hands. I'd probably go hunt down for cheap light stands and umbrellas.
Thursday, September 06, 2007
Iridescence spotted
While this is not totally uncommon, it is rare to spot one so big and obvious. I resorted to handheld HDR to capture the full range of colours present.
Sunday, September 02, 2007
A day without f/2.8
I've always been tempted to get myself the tamron 17-50mm f/2.8, given its affordable price and exceptional performance. Yesterday made this temptation even more so. I was practically struggling to get sharp enough photographs, working in dim lighting and high ceilinged indoor conditions. Pushing my iso to the top, i still have plenty of blur shots, from motion and noise reduction. My sb800 worked hard as well, trying in vain to light up an auditorium. This is a pretty pitiful situation.Until iso6400 is readily available and usable, i would get one of those f/2.8s... probably in the near future.
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